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In the garden, the sound of footsteps on gravel indicated change of location. Once the audience can associate a character’s tread with that character’s voice, the audience can connect who is moving around the space before that character even speaks.
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Different characters walk differently their footsteps have a different weight and rhythm.
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How to define scenes in the parlor, other than by the ticking clock? The difference in the sound of the outer door opening and the door to the parlor the sound of footsteps in the hallway or up and down stairs. What sounds would spark the audience imagination for the setting? What sounds would drive the plot? What sounds would reveal character, either supporting the text or serving as subtext? Once the stage script was re-formatted into US Format, it was time to remove any visual cues missed in the original reformatting, and decide where the piece could be driven by sound. What we see in our mind’s eye is driven by sound placement. I know this from personal experience.ĪMELIA: (murmurs unintelligibly as she reads, then, louder): Of all the.ĪMELIA: My husband is losing his mental faculties.ĪMELIA: He thinks my letters show “decreased interest.” For goodness sake, I write to him every day!ĭetails in character, dynamic, and emotion that would be seen are now communicated via the tearing of the envelope, Amelia’s murmuring, and her pacing.
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Kate: My dear, if they do not support you in your difficulties, they are not true friends. They caught rings of criminals because they understood the long con, and could out-long-con those they hunted. She, like most of Pinkerton’s original inner circle, thrived on theatrical, intricate undercover work that often lasted for months to flush out their prey. She was a chameleon, and I joke that if she hadn’t found a calling as a detective, she would have made a ruthless, unstoppable criminal. Allan Pinkerton hired her in the 1850’s she was a Pinkerton for 12 years, a spy for the Union, helped destroy an early assassination attempt against President Lincoln, and trained the next generation of female detectives. Kate Warne was the first female Pinkerton in America. “Confidence Confidant” is built around one of Kate Warne’s cases. “Confidence Confidant” moved well between the two formats. Some of those discoveries made in the restructuring can then transfer back to the stage version. However, some stage plays can work both on stage and on air, with correct restructuring and using the tools that serve each medium best. Different mediums, which require different tools. Stage plays usually germinate in character, grow with dialogue, then “what if?” and then the visuals.